‘Horvath does a splendid job in presenting this unusual repertoire.’
– The WholeNote

‘Horvath’s playing is fine, with a wide dynamic range and excellent clarity of voices.’
– American Record Guide

‘…very well recorded. Everything was very well interpreted. Among the discoveries were the mesmerising mystical sounds of the Prélude du Nazaréen, as well as upsud. A future reference for this music.’
– Musique classique & Co.

‘Horvath succeeds in the right mix of laconicism, nonchalance and mischievous irony, all with gripping, compact sound and clear contours, always with a feel for the wit in the precious little details.’
– Concerti