VINCENT D’INDY (1851–1931)
PIANO SONATA IN E, OP. 63
TABLEAUX DE VOYAGE (EXCERPTS)
JEAN-PIERRE ARMENGAUD
‘The Sonata of d’Indy represents for me a very original part of the French musical spirit, both aristocratic and innovative at the same time. Inspired by Wagner, the Sonata of d’Indy synthesises several musical trends of the time, but follows its personal way with a great imagination of forms and counterpoint, possessing a transcendental virtuosity. Vincent d’Indy is really one of the greatest composers of his time with a high artistic inspiration.
I like to perform and to record this French music which stands between a nostalgia for a vanishing world and a huge drive for innovation, responsible for the passage from the era of classic-romanticism to a musical modern language. Behind Debussy, Ravel, Fauré, there are many lesser-known works, which reveal the genius of these composers.’
– Jean-Pierre Armengaud
Piano Sonata in E, Op. 63: III. Premier mouvement –
About this Recording
A student of Franck, Vincent d’Indy (1851–1931) founded the Schola Cantorum de Paris where he taught for many years. He was also a conductor, with a busy schedule of international touring. His compositions were permeated by the influence of Wagner – he attended the premiere of the Ring cycle – but in time he also absorbed the influence of French folk music, especially from the Vivarais, his ancestral home.
Vincent d’Indy’s large-scale Piano Sonata is one of a small but masterful sequence of nonprogrammatic instrumental works that he wrote in the first decade of the 20th century. Notable for a novel application of variation form in its opening movement it fuses experimentation with expressive power. Poetic atmospheres and landscapes are evoked in the Tableaux de voyage, postcards of his walks in Germany.
The Sonata in E heard in this release was recorded in the salon of the castle that d’Indy built himself – the Château des Faugs, where he spent all of his summers until 1920 and where he composed the Sonata.
TOTAL TIME: 66:30
JEAN-PIERRE ARMENGAUD
Jean-Pierre Armengaud has pursued a particularly rich international career as a pianist and concert-performer, notable for the extent of his repertoire, by the number of countries to which he has been invited and the importance of his recordings which include five highly acclaimed editions of the complete works of French and Russian composers. A pupil of Yves Nat and Jacques Février, and of the Russian Stanislav Neuhaus, Armengaud is today acknowledged as one of the great interpreters of French music from Rameau to Henri Dutilleux. His many recordings of piano music have been critically lauded. Jean-Pierre Armengaud is also a distinguished scholar and teacher in universities and in masterclasses at major Conservatoires.
ACCLAIMED RELEASES OF EARLY 20th-CENTURY FRENCH MUSIC
– Classica ★★★★
– MusicWeb International