VÍTĚZSLAVA KAPRÁLOVÁ (1915–1940)

COMPLETE PIANO MUSIC


GIORGIO KOUKL

Despite her tragically brief life, Vítězslava Kaprálová is now considered the most important female Czech composer of the 20th century, her prolific output abundant with fresh and bold ideas, passion, tenderness and youthful energy. This in-depth exploration, representing some of the very best of her music, includes early gems such as the April Preludes, the exquisite and sophisticated Variations, the remarkable Sonata appassionata and her final Dance for piano, reconstructed by Giorgio Koukl from its only surviving sketch.

Listen to an excerpt from
5 Piano Compositions: No. 4 Tempo di menuetto
GP708

VÍTĚZSLAVA KAPRÁLOVÁ
(1915–1940)

About this Recording

Despite her tragically brief life, Vítězslava Kaprálová is now considered the most important female Czech composer of the 20th century, her prolific output abundant with fresh and bold ideas, passion, tenderness and youthful energy. This in-depth exploration, representing some of the very best of her music, includes early gems such as the April Preludes, the exquisite and sophisticated Variations, the remarkable Sonata appassionata and her final Dance for piano, reconstructed by Giorgio Koukl from its only surviving sketch.

SONATA APPASSIONATA, OP. 6 (1933) (18:45)
1
I. Maestoso. Appassionato. (07:58)
2
II. Theme and Variations (Theme: Andante semplice) (00:35)
3
Variation 1 – Più mosso (00:35)
4
Variation 2 – Scherzando (00:30)
5
Variation 3 – Con moto (01:07)
6
Variation 4 – Vivace (01:03)
7
Variation 5 – Largo (01:38)
8
Variation 6 – Vivo (05:19)
THREE PIANO PIECES, OP. 9 (EXCERPTS) (1935) (06:23)
9
I. Praeludium (04:39)
10
II. Crab Canon (01:44)
11
GROTESQUE PASSACAGLIA (1935) (02:34)
FIVE PIANO COMPOSITIONS (1931-32) (13:07)
12
Maestoso (01:30)
13
Cantabile-moderato (01:08)
14
Andante con moto (01:31)
15
Tempo di menuetto (02:43)
16
Alla marcia funebre (06:15)
DUBNOVÁ PRELUDIA, OP. 13 (APRIL PRELUDES) (1937) (09:06)
17
Allegro ma non troppo (02:08)
18
Andante (03:08)
19
Andante semplice (01:42)
20
Vivo (02:08)
VARIATIONS SUR LE CARILLON DE L’ÉGLISE
ST-ÉTIENNE-DU-MONT, OP. 16 (1838) (07:59)
21
Theme (Andante) and Variation 1 – Più vivo (01:38)
22
Variation 2 – Allegretto (00:36)
23
Variation 3 – Lento, ma non troppo (01:08)
24
Variation 4 – Quasi étude-vivo (00:45)
25
Variation 5 – Choral (01:34)
26
Variation 6 – Allegro e coda (02:18)
27
DANCE FOR PIANO (1940, UNPUBLISHED, RECONSTRUCTED BY GIORGIO KOUKL) * (03:11)
DVĚ KYTIČKY (TWO BOUQUETS OF FLOWER) (1935) * (01:36)
28
Kytička fialek (Small Bouquet of Violets) (00:41)
29
Podzimní listí (Autumn Leaves) (00:55)
30
PÍSNIČKA (LITTLE SONG) (1936) (01:18)
31
OSTINATO FOX (1937) * (01:06)
32
SLAVNOSTNÍ FANFÁRA (FESTIVE FANFARE) (1940) * (00:24)
* WORLD PREMIÈRE RECORDING

TOTAL TIME: 65:27

GIORGIO KOUKL

Giorgio Koukl is a pianist/harpsichordist and composer. He studied in Prague at the state music school and conservatory before continuing his studies at both the conservatories of Zurich and Milan, where he took part in the masterclasses of Nikita Magalov, Jacques Février, and Stanislaus Neuhaus, and with Rudolf Firkušný, friend and advocate of Czech composer Bohuslav Martinů. It was through Firkušný that Koukl first encountered Martinů’s music, eventually becoming one of the world’s leading interpreters of Martinů’s piano music. As a logical continuation of this work, Koukl has recorded the complete solo piano works of Paul Le Flem, a Breton composer who belonged to the Parisian circle of Martinů, Tcherepnin and Tansman, of Arthur Lourié, an important member of the “silver age” group of Russian composers, and of Vítězslava Kaprálová.

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