WORLD PREMIERE COMMERCIAL RECORDINGS

Having sustained an injury to his left hand, Artur Malawski had to abandon his career as a virtuoso violinist and went on to become a successful teacher and composer in his native Poland. The Symphonic Études of 1947 brought him international recognition with its unorthodox design and powerful expression. The Overture shares something of his younger contemporary Lutosławski’s resourcefulness, while the Toccata shows a similar adventurousness of spirit. The manuscript of Mountaineers’ Triptych has not survived complete – it is heard here in a realisation by Kazimierz Wiłkomirski.

WORLD PREMIERE RECORDINGS

Travel Notebook, Suite for Piano and Orchestra No. 1 by Ukrainian composer Alexey Shor is cast in a neo-Classical vein. It offers personal impressions of places he has visited, with music that is harmonically traditional and melodic. Violin Concerto No. 4, composed during the Covid pandemic, is a restless, passionate and romantic work, displaying Shor’s trademark lyricism. Both works are heard in the composer’s versions with string orchestra.

WORLD PREMIERE RECORDINGS

Cristian Carrara, born and educated in the Friuli region of north-east Italy, has earned critical admiration as one of the most creative composers of his generation. Clarity and directness inform much of his music, as does a sense of mystery, examples of which can be heard on this album. These recent works were composed during 2016–21 and focus on dialogues between a solo instrument and the orchestra. All are strongly narrative in character but as The Devil’s Bridge shows, they are also informed by rhythmic vivacity and a rich variety of instrumental colour.

Heinrich Marschner’s role as Germany’s leading Romantic operatic composer in the generation between Weber and Wagner has tended to draw attention away from his accomplished chamber compositions. Marschner had a high regard for the piano trio genre, composing seven throughout his career, which won the admiration of his friends Robert and Clara Schumann. The Trio No. 1 in A minor is profusely lyrical and not without surprises and contrasts. Written three decades later, the Trio No. 7 in F major is a work of his maturity – assured, dramatic and energetic.

INCLUDES WORLD PREMIERE RECORDINGS

Classical guitarist Émilie Fend and clarinettist Andreas Hermanski share an ambitious artistic vision to promote their relatively unusual instrumental combination through the commissioning of new repertoire. Including world premiere recordings, this programme presents neo-Classical dark and light contrasts in Giacomo Susani’s Sonata, and striking evocations of nature in Antonio Giacometti’s The Prideful Cry of Amazonian Forest. Psychological landscapes can be found in Jan Freidlin’s Kafka Sonata alongside Roberto Sierra’s Duo-Sonata, with all works exploring the diverse expressive potential of this exciting ensemble.

The bandoneon was remarkably popular as part of Argentinian culture during the 20th century and was brought into the Western mainstream through Astor Piazzolla’s ‘nuevo tango’. It was invented in Germany in around 1850, and for a while became a familiar part of musical life there. André Parfenov’s dramatic and evocative Bandoneon-Story delves into the instrument’s rich history turning it into a surprisingly varied audio journey, exploring its humble origins, expressive poetic palette and artful dance syncopations to create a cinematic historical panorama.

WORLD PREMIERE RECORDINGS

Giuseppe Martucci was one of the formative figures in the re-establishment of Italian instrumental music in the second half of the 19th century. His orchestral music had advocates as powerful as Mahler and Toscanini, and his piano concertos won admirers. His solo piano music was performed mostly by him, and today remains virtually unknown. These compositions offer verdant, colourful melodies, striking dance themes, and elegant music crafted for the salon. There are also some flamboyant and virtuoso challenges, tracing a lineage back to Scarlatti.

Initially a failure when first performed in London in 1750, Theodora has proved to be one of Handel’s most enduring and compassionate masterpieces – a work of introspective depth about the redemptive power of tolerance. Theodora’s determination to die in defence of her religious freedom offers her the promise of eternal salvation. In this acclaimed Viennese production, award-winning stage director Stefan Herheim contrasts Theodora’s self-sacrifice with the lack of spiritual direction of our own times. La Folia Barockorchester and the Arnold Schoenberg Chor are conducted by the acclaimed countertenor and Handel specialist Bejun Mehta.

Brahms’ lifelong preoccupation with the solo voice can be heard to great effect in this sixth volume of his complete songs. The ghostly and dreamlike opening of the Four Duets, Op. 28 and moods of desolation and loss in the Nine Songs, Op. 69 are linked by the unusually disparate subjects in each set, while the playful spirit of southern Italy and Spain forms part of Op. 58. The programme ends with great musical beauty, depth, and even touches of crude humour in Five Songs, Op. 72.

The New & Now playlist features all that is new and exciting in the world of classical music, whether it’s new music, new presentations or new performers. With more than 200 new releases each year, and artists from around the world, there is always something new to discover with Naxos.