Beethoven – Complete Works for Cello and Piano, Vol. 1

‘I think we are very privileged as cellists to have such an amazing canon of sonatas and variations by Beethoven, not only because it's fantastic music, but also because they span quite a long stretch in his life... The first two sonatas are quite early, very inventive, very fascinating also to see how he deals with form with this specific combination of cello and piano ... there's always something new, something interesting.’

Gabriel Schwabe

‘The sonatas are actually written for piano and cello, not as cello pieces with a piano backing. These are absolutely duo pieces. In many cases, the piano even presents a lot of the material first, before being treated in a duo way. So, these pieces are absolutely as demanding as any of the piano sonatas or the piano concertos.’

Nicholas Rimmer


Intent on developing the reputation he had won in Vienna, Beethoven undertook an extensive tour ending in Berlin, home to the cello-playing Frederick William II. There he unveiled his Sonatas for Piano and Cello, Op. 5 with one of the famed Duport brothers playing cello. These are revolutionary works, with neither instrument subservient and the piano fully independent, for which in the 1790s there was no precedent. Beethoven also wrote vivacious variations on operatic music by Mozart where light-hearted playfulness and dramatic rivalry are energising features.

Listen to an extract from Cello Sonata No. 2, Op. 5, No. 2:
II. Rondo: Allegro
About the Artists

Gabriel Schwabe is a laureate of three of the world’s most prestigious cello competitions: the Grand Prix Emanuel Feuermann in Berlin, the Concours Rostropovich in Paris, and the Pierre Fournier Award in London. As a soloist he has worked with orchestras throughout Europe and with the China NCPA Orchestra, Beijing. In 2010 he gave his recital debut at London’s Wigmore Hall and is currently cello professor at the Hochschule für Musik und Tanz Köln and the Conservatorium Maastricht. He plays a cello by Giuseppe Guarneri (Cremona, 1695).

Pianist Nicholas Rimmer maintains a keen interest in chamber music and Lied, as well as in historical keyboard instruments, and has appeared in many major concert venues. His varied discography numbers over 20 albums, and this release will mark his seventh for Naxos. His collaborative partnerships with Gabriel Schwabe and Tianwa Yang have resulted in acclaimed recordings of works by Brahms and Wolfgang Rihm. The latter (8.572730) received a Diapason d’Or, a Pizzicato Supersonic Award and an International Record Review ‘Outstanding’ Award.

More recordings featuring Gabriel Schwabe and Nicholas Rimmer
8.574202
★★★★★
‘To play either of the Kodaly works, you need fingers of steel and musical depth—and these musicians have both.’
American Record Guide
8.573772
BRAHMS, J.:
Violin Concerto, Op. 77
Double Concerto, Op. 102

Yang • Schwabe
Deutches Symphonie-Orchester Berlin
Wit
★★★★★
★★★★★
‘In every respect, these fresh and vital interpretations by Yang and Schwabe make this disc a complete success.’
MusicWeb International
8.572730
‘You could scarcely do better than this disc … Tianwa Yang and Nicholas Rimmer sound quite at home, even in the most difficult passages, and imbue these works with emotion, as well as meeting their technical challenges with aplomb.’
BBC Music Magazine
8.573489
‘… energetic and teeming with bravura, the contrapuntal strands well delineated—with a clear recording to boot.’
The Strad
8.574320
ELGAR, E.
BRIDGE, F.:
Cello Concertos

Schwabe
ORF Vienna Radio Symphony Orchestra
Ward
★★★★★
★★★★★
★★★★★
★★★★
‘Schwabe’s incendiary performance demands to be heard, and in his impassioned rhetoric he makes a compelling case for the importance of Bridge’s title in coming to an understanding of this deeply moving score.’
Gramophone
8.559937
‘Yang and Rimmer are the best possible advocates for this music.’
MusicWeb International


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