Naxos was founded in 1987 and has developed from being known primarily as a budget label focusing on standard repertoire into a virtual encyclopaedia of classical music with a catalogue of unparalleled depth and breadth. Innovative strategies for recording exciting new repertoire with exceptional talent have enabled the Naxos label to develop one of the largest and fastest-growing catalogues of unduplicated repertoire. Over 10,000 titles are currently available at affordable prices, recorded in state-of-the-art sound, both in hard format and on digital platforms. Naxos works with artists of the highest calibre and its recordings have been recognised with numerous international honours, including GRAMMY, International Classical Music Awards (ICMA), Opus Klassik and Gramophone Editor’s Choice Awards.
Paul Hindemith’s life was dominated by the events of the two world wars. In 1917, his discovery of contemporary Expressionist poetry and drama transformed him from a talented student to Germany’s leading new composer. His one-act operas Sancta Susanna and Das Nusch-Nuschi date from this period. Sancta Susanna – Hindemith’s first masterpiece – combines religious and erotic symbolism into an eerie narrative that was shocking for its time, whereas the dance suite from Das Nusch-Nuschi emphasises the plot’s origin as a Burmese comedy. The three symphonic movements from the opera Mathis der Maler refer to the three panels of the Isenheim Altarpiece by Renaissance painter Matthias Grünewald, but also graphically reflect Hindemith’s own artistic struggles in Nazi Germany.
Florence Price was one of the most versatile and accomplished American musicians of her generation whose unstoppable creativity and earliest successes were set against the backdrop of 1930s economic depression. The Third Symphony expresses aspects of Price’s cultural heritage in a symphonic framework. Avoiding direct references to existing folk songs and dances, it creates highly distinctive African spiritual moods and uses the syncopated rhythms of the Juba in its jazzy third movement. This world premiere recording of Ethiopia’s Shadow in America traces the American experience of enslaved Africans, while The Mississippi River suite quotes several famous spirituals, capturing the struggles of Black migration across the United States.
Gabriel Schwabe has established himself among the leading cellists of his generation. He is a laureate of numerous national and international competitions, including the Grand Prix Emanuel Feuermann and the Concours Rostropovich in Paris. In 2009 he won the prestigious Pierre Fournier Award in London. As a soloist, he has worked with orchestras such as the Philharmonia Orchestra, NDR Radiophilharmonie, Berlin Radio Symphony Orchestra, Deutsches Symphonie Orchester-Berlin, the Malmö and Norrköping Symphony Orchestras and Royal Northern Sinfonia with conductors including Marek Janowski, Eivind Gullberg Jensen, Dennis Russell Davies, Cornelius Meister, Marc Soustrot, Lars Vogt and Michael Sanderling.
Since 2015, he has been an exclusive recording artist with record label Naxos. His debut recording (Brahms’ Sonatas and Songs with pianist Nicholas Rimmer) was released the same year. Releases with the Malmö Symphony Orchestra under Marc Soustrot, the Royal Northern Sinfonia under Lars Vogt and the Deutsches Sinfonieorchester Berlin under Antoni Wit followed to great critical acclaim.
These two masterpieces are shadowed by the events of the First World War. Elgar’s Cello Concerto, an intensely poignant, reflective and individual musical statement, has enjoyed unflagging popularity among musicians and listeners for over 100 years. By contrast, Frank Bridge’s Oration (Concerto elegiaco) remained unperformed for decades after its early hearings. Yet it shares spiritual affinities with Elgar’s work and serves as a funeral address of huge solemnity and narrative power in its outcry against the futility of war.
For the full list of Gabriel Schwabe’s discography on Naxos, visit naxos.com.
Recordings from Naxos and its affiliated labels were among the recently announced nominations for the 2022 International Classical Music Awards (ICMA). The Naxos Music Group received a record number of ICMA nominations across 13 categories. Naxos received 19 nominations, and others went to BelAir Classiques [2], Capriccio [5], Grand Piano [1], OehmsClassics [5], Ondine [3], Opus Arte [1], Orfeo [4] and SWR Classic [1].
The judges, drawn from more than 20 specialist publications and broadcasters across sixteen countries, made a total of 377 audio and video nominations from 129 labels.
Nominations for all labels in the respective categories are listed below, together with links to further details about each album.
The finalists will be announced on December 19, and the ICMA winners will be published on 20 January 2022. The Award Ceremony and Gala concert will take place at the Philharmonie in Luxembourg, on 21 April 2021, in a ceremony featuring the Luxembourg Philharmonic conducted by one of the award winners.
A Northern Christmas is the first single from an upcoming Christmas album by Andreas Ihlebæk planned for 2022. The piece was written by Andreas and it continues the mood and melodic calmness of his hugely popular folk and lullaby interpretations on Northern Lullabies (NXN8001).
Andreas Ihlebæk is a Norwegian pianist and composer. His solo debut The Guest (2017) was immediately declared a genre- and mind-bending masterpiece in Europe’s biggest newspaper (Bild), a level of praise which was unanimously repeated by European music magazines and media outlets across the genre spectrum. Ihlebæk released his second album Northern Lullabies for NXN Recordings in 2020 to great critical acclaim and a Spellemannprisen nomination (Norwegian GRAMMY). In the lead-up to his third album I Will Build You A House, all tracks have been released as singles and have been featured in playlists by Apple Music, Spotify, Tidal and Amazon. He continues to be one of the most played composers of modern classical pieces globally.
The Valencia Baryton Project’s recording of Baryton Trios by Haydn has been nominated as a finalist in the 4th Edition of the Valencian Music Premis Carles Santos Awards for Best Classical CD. The award is presented by the Valencian Institute of Culture and the award ceremony will be held on 26 November at the Teatre Principal in Castello, Spain.
Much of Franz Joseph Haydn’s long career was in service as a court musician to the wealthy Esterházy family. It was early in Haydn’s time at the Esterháza palace that Prince Nicolaus took a liking to the hypnotic sound of the baryton – a bowed instrument with an extra set of strings that vibrate sympathetically or are plucked for tonal contrast. The baryton was considered the pinnacle of 18th-century aristocratic instruments, and the outstanding beauty of Haydn’s trios represent its final renaissance, placing this remarkable antique firmly into the poised and tasteful Classical style of the day.
Mozart wrote Die Zauberflöte (The Magic Flute) for a suburban theatre in Vienna, the Theater auf der Wieden. He drew on the magical spectacle and earthy comedy of popular Viennese theatre. As well as being a comedy, The Magic Flute is an expression of Mozart’s profound spiritual beliefs: Enlightenment concerns with the search for wisdom and virtue are at the heart of this enchanting tale. The Magic Flute was an instant success with audiences and Mozart’s supposed rival Salieri described it as an ‘operone’ – a great opera.
David McVicar’s classic production embraces both the seriousness and comedy of Mozart’s work. The audience is transported to a fantastical world of dancing animals, flying machines and dazzlingly starry skies. The setting provides a wonderful backdrop for Mozart’s kaleidoscopic score, from the Queen of the Night’s coloratura fireworks to Tamino and Pamina’s lyrical love duets and Papageno’s hearty, folksong-like arias.
‘Roderick Williams’ charming bird catcher leads a spirited revival at Covent Garden.’ – Bachtrack ★★★★★
‘Julia Jones returns to the pit where she maintains perfect dramatic momentum, and the whole evening goes with a swing.’ – The Stage ★★★★
Pamina | Siobhan Stagg |
Tamino | Mauro Peter |
Papageno | Roderick Williams |
Sarastro | Mika Kares |
Queen of the Night | Sabine Devieilhe |
First Lady | Rebecca Evans |
Second Lady | Angela Simkins |
Third Lady | Susan Platts |
Monostatos | Peter Bronder |
Papagena | Christina Gansch |
Conductor | Julia Jones |
Concert Master | Vasko Vassilev |
Director | David McVicar |
Designer | John Macfarlane |
Lighting Designer | Paule Constable |
Movement Director | Leah Hausman |
Extra Features: Why Mozart’s Magic Flute is a masterpiece – an introduction; The musical secrets of Mozart’s Magic Flute; Cast gallery
More full-length videos? NaxosVideoLibrary.com brings you an extensive streaming video library of classical music performances, opera, ballet, live concerts and documentaries. Watch the world’s greatest opera houses, ballet companies, orchestras and artists perform on demand!
On 14 November, the Rossini Opera Festival commemorated the anniversary of Gioachino Rossini’s death with a performance of Péchés de vieillesse. The concert was given by the pianist Alessandro Marangoni, an authentic specialist and promoter of Rossini’s piano music.
Alessandro Marangoni has recorded the complete Péchés de vieillesse on Naxos, including numerous unpublished pieces. This recording won him the Premio Abbiati for 2019. He has made his mark on the international music scene thanks to a significant activity as concert soloist and an equally intense activity as a recitalist. He has played in the leading concert halls all over Europe, China, the United States and Australia. He teaches at the Conservatorio of Novara and holds master classes in Europe, South America and China.
Rossini drew a line under his hugely successful operatic career at the age of 37 and wrote little until his final years in Paris, where he became renowned for his musical salons. For these he wrote numerous short piano pieces which he jokingly called Péchés de vieillesse (Sins of Old Age): sometimes experimental miniatures that can raise a smile or touch the heart, blurring boundaries between the irreverent and the serious. Rossini’s publisher Antonio Pacini considered the composer’s late works as his most illustrious period: ‘what he composes daily is a series of masterpieces that seems as though it will never end.’ Including songs and fascinating novelties, this acclaimed complete edition contains a myriad of rarities and numerous world premiere recordings.
Walt Disney Animation Studios are celebrating the forthcoming release of Encanto, their 60th animated motion picture. Listen for the Finale from Stravinsky’s Firebird Suite in the following video, showcasing every title card leading up to their 60th animated feature:
Need to license some music for a project and don’t know where to start? Visit Naxos Licensing to find out how!
Two women, one a former guard at Auschwitz, the other a former prisoner, face off in harrowing flashbacks during a post-war journey to Brazil on an ocean liner. This scenario forms the basis of the action in Mieczysław Weinberg’s powerful opera Die Passagierin (The Passenger).
Watch this video interview with conductor Roland Kluttig, Oper Graz’s general manager Nora Schmid, mezzo-soprano Dshamilja Kaiser and soprano Nadja Stefanoff which tells this new production in 2021 by Oper Graz makes a vital contribution to the Holocaust drama’s overdue international recognition:
16 December 2021 marks the 100th anniversary of the death of the French composer Camille Saint-Saëns, a pioneer of Romantic instrumental music in France. To commemorate this event, Naxos is releasing a 3-disc boxed set of his Complete Symphonies, performed by the Malmö Symphony Orchestra under Marc Soustrot. Each individual release has received critical acclaim, with the third volume described by BBC Music Magazine as ‘honest performances that show off Saint-Saens’ mastery of the orchestra and ... an inventiveness that still impresses a century-and-a-half later.’ Soustrot and his Malmö players have also recorded Saint-Saëns’ concertos for piano, cello and violin with star soloists Romain Descharmes, Gabriel Schwabe and Tianwa Yang.
Saint-Saëns wrote five symphonies between the years 1850 and 1886. The cycle began with the Mozart-influenced Symphony in A but as a precocious composer of 17 he wrote his first numbered symphony, a work much admired by Berlioz and Gounod. He progressed to his most popular piece in the genre, the ground-breaking Symphony No. 3 with its inclusion of organ and piano. This critically admired cycle includes a sequence of atmospheric and dramatic symphonic poems, including Phaéton and the ever-popular Danse macabre.
The Ondine label has launched a new cooperation with the Orchestre de chambre de Paris under the baton of its music director, award-winning pianist-conductor Lars Vogt. Together with the orchestra, and with Lars Vogt conducting from the keyboard, they recently finished recording a Mendelssohn programme (Piano Concertos and the Capriccio brillant) for an album which will be released in the Spring of 2022.
For Lars Vogt’s other recordings, please visit his artist page on naxos.com.
Looking for new music? Our selection of curated playlists has you covered with music to complement the season, moment, or activity! Wind down with Rainy Day Chill, set the mood with Classical Dinner Party, explore indigenous musical traditions from North America in unCLASSIFIED’s Hues of Music: Indigenous Voices, and discover the enchanting music of France in Grand Piano’s French Piano Music. Happy listening!
The Verdi’s Macbeth performance at Teatro Regio di Parma in 2020 recently received a special prize of the Franco Abbiati Prize (Premio Abbiati) of the Italian Critics (Associazione Italiana Critici Musicali), the most important and prestigious prize of Italian critics.
This commanding performance of the work was led by Festival Verdi musical director Roberto Abbado with baritone Ludovic Tézier in the title role. The audio recording will be released on Dynamic as a world premiere recording of the opera’s rarely heard original 1865 version for performance in Paris and sung in French here.
Verdi considered Shakespeare’s Macbeth to be ‘one of the greatest creations of man’. The opera’s unbroken dramatic line, incisive libretto and range of expression from the comic to the sublime, made it a work that was way ahead of its time. Verdi explores unusual theatrical characters with Macbeth, the darkness of which resonated with his desire to convey Shakespeare’s brutal realism in a visionary masterpiece that would only be fully appreciated by the mid-1900s.
Until 27 December, Presto Music is offering up to 25% off all discs on the Grand Piano label! The promotion includes both CDs and downloads.