Daniele Rustioni is one of the most compelling conductors of both opera and symphonic works of his generation. Principal conductor of Opéra National de Lyon since September 2017, Rustioni has served as chief conductor of the Ulster Orchestra since the 2019–20 season. He was principal conductor of the Orchestra della Toscana between 2014 and 2020 and has previously held posts at the Mikhailovsky Theatre in St Petersburg and Teatro Petruzzelli in Bari. In 2013 Rustioni received the International Opera Award in the Newcomer (Conductor or Director) category.

He is in demand worldwide as a versatile conductor of symphonic music, and has conducted all the major Italian symphony orchestras as well as appearing as a regular guest of the most prestigious orchestras in the UK, Germany, France, Switzerland and the US. Maestro Rustioni has been engaged by many of the major international opera houses including the Bayerische Staatsoper, Teatro alla Scala, Teatro Regio di Torino, Teatro La Fenice, the Royal Opera House, Covent Garden, Opernhaus Zürich, Staatsoper Stuttgart, Opéra Bastille and the Metropolitan Opera.

For more information, visit www.danielerustioni.com.

Verdi dominated the world of Italian opera from his first considerable success in 1842 with Nabucco until his final Shakespearean operas Otello, staged at La Scala, Milan in 1887, and Falstaff, mounted at the same opera house in 1893. His career coincided with the rise of Italian nationalism and the unification of the country, causes with which he was openly associated.

Operas

The best known of Verdi’s 28 operas are Nabucco (‘Nebuchadnezzar’), Macbeth, Rigoletto, Il trovatore, La traviata, Les Vêpres siciliennes (‘The Sicilian Vespers’), Simon Boccanegra, Un ballo in maschera (‘A Masked Ball’), La forza del destino (‘The Force of Destiny’), Don Carlo, Aida, Otello and Falstaff.

Church Music

In addition to settings of the Te Deum and the Stabat Mater Verdi wrote an impressive large-scale setting of the Requiem, its origin stemming from the death of Rossini in 1868 and the death of the writer Manzoni. The Requiem is a work of operatic magnificence, none the less moving for its theatrical elements.

The Quattro pezzi sacri (‘Four Sacred Pieces’) were written at various times in Verdi’s later years. The first, Ave Maria sulla scala enigmatica, written in 1889, was followed in publication by Stabat mater, Laudi alla Vergine Maria (on a text from Dante), and Te Deum for double chorus and orchestra. The Quattro pezzi sacri were published in 1898.