So great was the effect of Sibelius’s incidental music for Maeterlinck’s play Pelléas et Mélisande that August Strindberg, whose wife had performed the rôle of Mélisande, agreed that he should write the music for his as-yet unperformed play Svanevit (Swanwhite). Composing for an orchestra of thirteen he wrote in a style reminiscent of Grieg, and both play and music were very well received by critics and audiences alike. The play Ödlan (The Lizard) inspired Sibelius with its dreamlike atmosphere, while Ett ensamt skidspår (A Lonely Ski Trail) and Grevinnans konterfej (The Countess’ Portrait) show his skill in writing for drama on a miniature scale.