Daniele Ferrari studied conducting, composition, piano and organ. He has been organist of the Basilica of San Carlo al Corso in Milan since 1986, and for over ten years led the Concentus Musicae Antiquae Choir, with which he made recordings for Italian State Television and Radio. In 2005 he conducted Beethoven’s Ninth Symphony in the main hall of the Milan Conservatory, in a concert organized by the Italian government to celebrate the first anniversary of the entry of ten new member states into the European Union. He is a long-term collaborator of the famous soprano Luciana Serra, whom he has conducted on numerous occasions, including a performance of Brahms’s German Requiem.

Daniele Ferrari has transcribed, edited, performed and recorded many rare and unfamiliar compositions, including sacred works by Emanuele Rincon d’Astorga, Francesco Pasquale Ricci, and Giovanni Battista Sammartini, and Nino Rota’s Masses. He conducted the world’s first complete recording of Sammartini’s Early Symphonies, as well as sacred cantatas by the same composer

The son of a French oboist who had settled in Italy, Sammartini was born in Milan, where he won an early reputation, serving as maestro di cappella to the Congregation of the Ss Entierro from 1728 for many years. He occupies an important place in the genesis of the symphony and won a considerable reputation abroad, with works published in London and Paris. In Milan he was highly respected and led an active career to the very end as a composer and conductor.

Orchestral Music

Of Sammartini's orchestral music 68 symphonies survive, with six violin concertos, one double violin concerto, two flute concertos, in addition to sets of concerti grossi and overtures. These vary in style from an early mixture of Baroque and classical to an intermediate style and a final style that is in general classical.

Chamber Music

Chamber music by Sammartini consists of quintets, quartets and trio sonatas, of the last some two hundred. There are thirty or so keyboard sonatas, for harpsichord or organ, with eleven violin sonatas and six sonatas for harpsichord with violin.

Vocal and Choral Music

Sammartini wrote sacred choral music, cantatas and liturgical settings, as well as secular arias and cantatas. Much of this body of work has been lost.