London Mozart Players (LMP) was founded by Harry Blech as the UK’s first chamber orchestra. LMP has achieved international renown for its concert performances and CD recordings of the core Classical repertoire. Principal Conductor Gérard Korsten continues the strong Classical tradition begun by Blech, and developed by past Music Directors Jane Glover, Matthias Bamert, Andrew Parrott. Hilary Davan Whetton is Associate Conductor, whilst Howard Shelley, as Conductor Laureate, continues a 25 year association with the LMP which over the years has also worked closely with many of the world’s finest soloists.

The LMP also plays an active part in contemporary music, giving many world premières and commissioning new works by, in recent years, Sir Peter Maxwell Davies, Jonathan Dove, Tarik O’Regan, Sally Beamish, Cecilia McDowall, Lynne Plowman, and Fraser Trainer. In March 2011 the LMP appointed Roxanna Panufnik as Associate Composer.

Since 1989, the LMP’s home has been Fairfield Halls, Croydon where the orchestra gives a series of community concerts. Touring is a major part of the orchestra’s schedule, with regular appearances at festivals and concert series throughout the UK, across Europe and in the Far East.

Recording has played a major part in the orchestra’s life for many years. A long relationship with Chandos includes many recordings of works by Haydn and Mozart and an acclaimed Contemporaries of Mozart series numbers over 20 CDs.

The London Mozart Players are proud to enjoy the Patronage of HRH the Earl of Wessex. In June 2014 the LMP began a new and exciting phase in its history becoming the first chamber orchestra in the UK to be managed both operationally and artistically, by the players.

Photo: Matthew Andrews

The Italian composer and violinist Antonio Vivaldi was born in Venice in 1678 and after his ordination in 1703 embarked on an intermittent career in the service of the Ospedale della Pietà, an institution for the education of orphan, illegitimate or indigent girls. It was an establishment with a formidable musical reputation. His later career brought involvement in opera. As a composer Vivaldi was prolific, with some 500 concertos to his credit in addition to a quantity of works for the church and for the theatre. He left Venice in 1741 in the apparent hope of finding new patrons in Vienna, but he died shortly after his arrival in the city.

Church Music

The surviving church music of Vivaldi includes the well-known Gloria, in addition to a number of settings of psalms and motets.

Operas

None of the 50 or so operas of Vivaldi remain in standard repertoire, although some are now once again making their appearance.

Concertos

The most famous of all Vivaldi’s concertos are those of Le quattro stagioni (‘The Four Seasons’), characteristic compositions to which the composer attached explanatory programmatic sonnets. These four concertos, for solo violin, string orchestra and harpsichord, form part of the collection Il cimento dell’armonia e dell’invenzione (‘The Contest of Harmony and Invention’), one of seven collections of such compositions published in the composer’s lifetime. In addition to concertos for solo violin, Vivaldi also wrote concertos for many other solo instruments, including the flute, oboe, bassoon, cello and viola d’amore, and for groups of solo instruments.

Chamber Music

Vivaldi wrote a number of sonatas and trio sonatas, many of them designed for one or two violins and basso continuo. He also wrote a series of chamber concertos, compositions similar in approach to the solo and multiple concertos but scored for smaller groups of instruments.