James McVinnie pursues a diverse career as an organist, keyboardist, ensemble player and teacher. He was an assistant organist of Westminster Abbey, where he played for regular services as well as directing the abbey choir. Whilst at the abbey he also played at many great state occasions and special services of national importance which were broadcast live on television. He held organ scholarships at St Albans Cathedral, and Clare College, Cambridge (where he studied music). In 2006 he became organ scholar and then in 2007 acting sub-organist of St Paul’s Cathedral. He held organ teaching posts at Cambridge University and at Tonbridge School and was also Director of Music at St Andrew’s, Holborn, London. He studied the organ with Sarah Baldock, Thomas Trotter and Hans Fagius.

James studied music at Clare College, Cambridge, where, as organ scholar, he performed throughout the UK, Europe, the USA, and the Far East in addition to appearing as their accompanist numerous acclaimed recordings. During this time he also performed in Sydney, Melbourne, Brisbane and the Gold Coast, Australia as a harpsichordist with baroque violinist David Irving. He also acted as chorus master to Clare College Choir on several occasions, and notably during a six-week European tour of Handel’s Messiah with the Freiburg Baroque Orchestra and René Jacobs as conductor. In October 2006 he recorded his first solo disc of SS Wesley’s organ music on the 1873 Willis organ of St Michael’s, Tenbury, for Naxos. He also appears on recordings by the St Albans Abbey Girls Choir, the National Youth Choir of Great Britain, the Cardinall’s Musick, and the King’s Consort. He is also a regular accompanist to the BBC singers.

In summer 2009 James made his solo début in the Salzburg Festival with the Freiburg Baroque Orchestra conducted by Ivor Bolton, performing Handel’s Op. 7 No. 5 organ concerto during a staged production of Handel’s oratorio Theodora. As a soloist he has performed in the Westminster Abbey Summer Organ Festival, venues across Russia, the City of London Festival, the Oundle International Festival, the opening recital of the Holmens Church International Organ Festival, Copenhagen, and most recently the opening concert of ‘MusicNOW’, the contemporary music festival in Cincinnati, curated by Bryce Dessner of indie-rock band The National. As a continuo player with leading ensembles and musicians he has appeared at the Munich Opera Festival, the Innsbruck Early Music Festival, the Lufthansa Festival of Baroque Music, the Encounters Early Music Festival at London’s Southbank Centre, the Aldeburgh Festival and the 2010 BBC Promenade concerts. He has also collaborated in concerts with composer Nico Muhly, violist Nadia Sirota and singer-songwriter Sufjan Stevens and folksinger Sam Amidon. New music plays a central part of his repertoire; Nico Muhly, Graham Ross, Robert Walker, Richard Reed Parry (of Arcade Fire), Shara Worden (of My Brightest Diamond), and David Lang (winner of the 2008 Pulitzer Prize in music) have written works for him.

Son of the composer and organist Samuel Wesley, grandson of the hymn-writer Charles Wesley and great nephew of John Wesley, the founders of Methodism, Samuel Sebastian Wesley was a chorister at the Chapel Royal before embarking on a career as an organist, employed successively at the cathedrals of Hereford and Exeter, then at Leeds Parish Church, Winchester Cathedral and finally Gloucester Cathedral. He was the first professor of organ at the Royal Academy of Music in London.

Sacred and Secular Vocal Music

Wesley did much to reform Anglican cathedral music and his compositions include anthems and service settings. His secular vocal music includes glees and part-songs, with some solo songs.

Instrumental Music

Wesley wrote relatively little for orchestra, but left a few compositions for organ.